Those of us who have attempted (rather unsuccessfully) to learn guitar and ended up learning the ukulele sometimes miss the “fuller” sound of the guitar, which makes it appropriate for sadder songs, just to mention one possibility. The re-entrant high-G tuning of most ukuleles doesn’t help much in this regard, but if you are, say, in a gig situation where you are going to amp the instrument anyway, there’s an inexpensive solution that will supply the “missing strings” without having to change your uke or your playing style at all. It’s called an “octaver pedal.” Read More
I have this thing for making a guitar sound like something different, like a piano, or a marimba. Those instruments produce short, “plucky” sounds like a guitar, so why not? One way to achieve this is to output MIDI instructions from a guitar, which has been attempted with rather limited success ever since MIDI was invented. Well, I’m happy to report that the wait might be over for the majority of us guitar (or ukulele) hacks. It’s a gizmo called “TriplePlay Connect,” and you can get it for under two hundred bucks. In this article, I make a pretty thorough review of it, including how to connect it for the quickest best results. Read More
No, it’s not a tongue-twister. Rather, it’s a new cool-sounding tuning that you may want to try. Ingredients: a baritone ukulele, an extra guitar 5th string (or baritone uke 4th). It sounds particularly good using a capo. Read More
By “baritenor” I mean a tenor-size ukulele that rather sounds like a baritone. Why do this? Because you can always get the standard uke sound from a baritone by simply putting a capo in the 5th fret, and you get two ukes for the price of one. Ideal for traveling, except that baritones are a bit too large to stuff in a suitcase. The solution? Tune a smaller uke like a baritone, or close to it. I’ve found that a tenor uke works well as a starting point, with good results. The baritenor set, plus a couple wound strings for the basses, should also work well to make a good-sounding guitalele with standard tuning.
A couple years ago, I wrote a post on how to make a banjolele starting from parts bought here and there. I’ve simplified the process to make a 4-string banjo, and it has turned out so well that I just had to share it.
One of the appealing qualities of the ukulele is that it sounds “sweet” to many people. Perhaps this is why it became so popular in Hawaii, from where it spread to the rest of the world. Musicologists explain that this perceived “sweetness” is the result of close harmony, made possible by the 4th string typically being tuned one octave higher than it would be normally. In this post, I delve into other re-entrant tunings (some already known, others not so much) that can be applied to a ukulele or similar, with sound samples. Perhaps there’ll be some that appeal to you. Read More
This may not be for every amateur musician out there, but I’m sure there are some that have felt quite frustrated over the apparent inability to have a guitar or uke that will sound like anything else (for a reasonable budget) and still be playable. Sure, you can always add a Fishman or Roland Midi pickup to an electric guitar for a lot of dough, only to find that they work well only for fingerpicking but not for strumming (the essence of uke playing) because of lag or inability to pick up every single string. Well, I think I finally licked it, and quite inexpensively. You can see it at right. The yellow tape on the “strings,” which is quite optional, is a simple tactile aid so I can use only strings 1 through 4 for ukulele playing. Read More
The old chicken and egg problem, with music. Chances are you already knew that the ukulele, that little guitar that people use for accompanying Hawaiian and pop music, as well as a lot of pieces from the Tin Pan Alley era, was born in the late XIX century, when some Portuguese luthiers landed in Hawaii. So obviously the ukulele derives from the guitar. But did you know that before guitar existed there was an instrument that looked very, very much like a ukulele? See what the angel in the picture is playing. Read More
I’ve written six songs within the last week or so, keeping a full-time job and living an otherwise fairly normal life. I don’t claim they are any good, only that they were surprisingly easy to make. In this article I give you a blow by blow account of how this happened, the tools I used, and the process I followed. Maybe you’ll find something that will uncork your own creativity. Read More
They say that “high tension” strings pull harder on the neck of a guitar than “normal” or “light” tension. You have tested tension with your fingers and indeed some strings seem to have more tension than others, but how much, exactly? How can I tell whether the tension of one of my strings is too high or too low? I’ve run into this sort of discussion in several forums (like this one, or this other one, or still this one) and nobody seems to have the answer, yet you know that “your fingers tell you.” In this article, I translate that qualitative method into one that will give you a pretty accurate number, and explain the math behind it. Read More